Manually condensed in width
URW has a condensed version of Cooper Black, but it goes only half way to the width in your image.
http://myfonts.us/td-IsJLL3

The letters _J_, _V_, _T_, _S_, _P_ are from from the predigital Bookman Swash Italic by Millar & Richard, with the _J_ being edited in the top rhs and some other minor tweeks
The lower case letters are also from predigital Bookman Swash Italic by Millar & Richard.
Sold in the 1970s and 1980s in this style by Letraset as dry contact letters.
A version by Ed Benguiat for ITC with the swash Italic uppercase has been digitized, see link below.
Ed Benguiat's digital version changed the Italic lower case from these sloped roman letters to a true italic. To get the predigital version shown in the image, the Roman lower case has to be manually sloped.

Microsoft website says Edwardian Script is supplied with Office 10
https://www.microsoft.com/typography/fonts/product.aspx?PID=163
Check display at MyFonts link below

This goldsmith's logo has no exact match to a digital font without editing.

The logo is based on an old metal type sold by Berthold as Englische Schreibschrift and by Linotype as English Script.
The digital versions are not connected.
Bitstream based its digital version, English 157, which is also not connected, on the same metal type.
The URW version is Englische Schreibschrift.

Any of these fonts could be used to make a reasonable facsimilie of _Fabiani_, if the letters are run together.

URW also produced a connected version called Englische Schoolbook Joined, which looks like _Fabiani_ except for the stub connector on the lhs of _a_. The spacing is not as compressed as the Fabiani logo.

Wonton -- NOT THE FONT IN THE IMAGE -- is another good example of this style and could be used as a substitute.

This probably custom lettering.
I found another version of the wordmark for this restaurant in N.E. Spain.
Same general letterforms as as your image but different in width and orientation

It shows more clearly the curved wedge style brush strokes used in your image.
These brush strokes are the basis for quite a few faux Chinese fonts that are variations of a 19th century font called Chinese Wong.
Bonzai -- NOT THE FONT IN THE IMAGE -- is a good example of this style and could be used as a substitute.

I doubt that this building signage, in the style of Jugenstil/Secession/Art Nouveau, was taken directly from a font.
Brendan Ciecko's Secesja -- NOT THE FONT -- should work as a substitute.

The sub-text _free & fabulous_ is small but it appears to be also in ITC Tiffany Heavy

ITC Bookman Medium plus swash letters from ITC Bookman Swash

Not certain if this is a font or custom lettering.
However, some of the swash glyphs in Desire -- NOT THE FONT -- have a top lhs swash similar to the letters in your image.
http://www.myfonts.com/fonts/charlesborges/desire/regular/glyphs.html#glyphs/641612/388

The heavy weight matches the blue outer contour.
The bold weight is similar to the yellow fill

Campanile FLF by Richard Ware

Letterforms are the same but the ones in the image are narrower
Compare your image to Campanile FLF narrowed to 66 percent and bolded 8 points.

Seems fairly close, but still looking for a closer match.

The _H_

Note that the horizontal strokes are thicker than the vertical strokes. This usually means that the letters are squeezed in width.
Deutschmeister -- when compressed in width -- is almost identical to the sticker letters.

The heavier weights of ITC Cushing are generally similar, if compressed in width, but the leg of _K_ joins at the stem instead of part way up the arm.