re: #14: I totally agree with the shaming through Social Media. I would suggest inserting a video link from YouTube
to the song Shame, Shame, Shame
, a 1975 R 'n' B/ disco hit by Shirley and Company
"In the case of Pablo Impallari, his fonts are released through Google fonts. Those are actually commissioned fonts and he was already paid for those fonts."
I'm a bit confused by the phrasing. You make it sound like Pablo works for Google. It's my understanding that he works for himself, and Google pays him for the privilege of having his work included in the Google fonts catalog. He may receive a fee from Google upon completion of a font, based on his past reputation, (ie: hypothetically, Google agrees, in advance, that they will purchase new fonts made by Pablo), but that's not really a commissioned work. Google is just one of the clients who are generous in their donation amount, or perhaps he had negotiated a reasonable fee from Google?
At the same time, your knowledge of the typography industry far exceeds my own. If you know facts about that arrangement, perhaps you would advise me by private message?
I know dick about Google Fonts, because they aren't interested in dingbats, but Google has deep pockets, so if, at a future date, they wanted to use a font designed by me, I would expect them to compensate me, at a fee level I deem to be acceptable. In certain circumstances, it could be to the font author's advantage, to deny Google's request. People are sick of Lobster
, because it is so ubiquitous, (seen everywhere). Certain fonts can generate more income by the fact that they are used commercially as seldom as possible.
In effect, is it the case that an association with Google Fonts can be seen as Google donating, in advance, on behalf of the commercial use clients who obtain the font through Google Fonts? Do Google fonts users need to donate to Pablo
, for commercial use, or does the donation made by Google to Pablo effectively make the font free to use, without additional required donation, to anyone who obtains use through Google Fonts, as opposed to from a download on the author's home page, or from a font hosting site, such as DaFont
If you could tell us what you know about a contract with Google Fonts, I would be personally very interested, and I'd think many of the other readers would be, too. I would think a font author might or might not want to be in partnership with Google. Thanks!
My comments about the quality of hanoded
's work relates to the fact that obtaining a commercial use fee of any significant amount for the use of his fonts is unlikely. Trying to chase down $10 lost here and there is not effective, in terms of time and effort.
If hanoded likes the idea of the shaming campaign, he should begin here, by posting the name of the company, and an image of the alleged copyright infringement.
To date, however, he has provided no evidence; he hasn't named the font, nor the company allegedly using his font without authorization. I'm all for supporting the possibility of a smear campaign, to obtain a higher than usual commercial fee, based on the disrespect shown to him, but at this point, he should show US some proof of his allegations, otherwise this could just be a self promotion thread. Big companies generally do not risk bad publicity to save $10. Big companies generally do not read the DaFont general discussion forum. Thread starters on DaFont have been known to exaggerate, for a variety of motives. I'm not saying I don't believe hanoded
, but I am saying that I need to see physical evidence of his claim, before I'm convinced his allegations are true. He should have done that in the first post, as far as I'm concerned. He should do that now, or I would be inclined to disbelieve the allegation.
Without naming the font, naming the company that used the font without purchasing a license, and without showing visual evidence of the infringement, this thread is potentially an elaborate trolling endevour. We can accept hanoded
at his word that a donation was not received, but we can't assume that a crime was committed, just because he says so.
If a guy went into a police station, and said that 'some guy' assaulted him, without providing evidence, the police could not arrest a random individual. hanoded
ought to give us specific details, before any additional assistance is offered to him.
Edited on Feb 04, 2015 at 14:12 by metaphasebrothel
If you bought this font at myfonts, you should be using the help function at myfonts, instead of bringing this question up here.
If you got this font on a fly by night site offering free downloads of commercial fonts, it's probably not an original font, especially if the file you have is True Type. Those ligatures are open type features. If this is the case, you should not be discussing .pdf extract fonts here.
If you got it in the Phontdawg Collection
, it might be an original, but you're wasting your time, if you try to get that now. All you're going to end up with is part of an archive that you'll never be able to complete, and you won't be able to open it, unless you have 100%.
That had been around for a while when I got it in 2008, and torrents on public sites never stay seeded for seven years, EVER
. All you'll get is a part of the torrent, from some guy who thinks someone will complete the archive, but it will never happen. Anyyone seeding would be using a different torrent client than they did in 2008, and people who downloaded generally didn't reseed. It's probably five years since the Phontdawg Collection was circulating.
Don't feed the trolls, sweeep
. I'm not going to give you a green card, because that would allow you to legally work in the United States.
Tua madre è Troia.
Don't be resurrecting threads to troll, pal. You've been warned.
These are excellent points. As long as the information is factual, it is perfectly legal to shame a corporate entity publicly.
You missed one, in which there is a financial upside to the author: If hanoded
is certain that his font was used by the company, (and whether or not they paid a licensing fee), hanoded
has the right to advertise their use of his font. He could create a text or graphics notice that says "DK XXXXXXX font, as used by X Company, in this campaign". Any font author can do that, with any font they create, that's used by someone else.
A night club DJ in Tel Aviv, Israel, Liam Schachar
, uses a glyph from my BeautyMarks
font in his official logo:
In this case, the "fee" for commercial use was to provide me with an image of the font in use. He was willing to pay money to me for the use of the glyph, but I told him there was no monetary fee.
I don't need Liam's permission to associate my work with his corporate logo, because, effectively, we are promoting each other, benevolently. He could easily have purchased a commercial use license for a different font, containing a different glyph, but he chose to use a vector contained in a 100% free font. It would have been unethical to have charged Liam to use a free font, just because he had the means to pay. Liam does not, however, have any right to prevent another person from using the same glyph in a different logo, because the intellectual property belongs to me.
In the case of Dieter Steffmann
, author of a large catalog of professional quality fonts, it appears to me that the only condition to use his fonts commercially is to ask politely for permission on his home page.
My previous post was very relevant. By making the font donationware, the author gives the user the option of choosing what they want to pay. There's a huge difference between holding an auction, with a reserve bid, and holding an auction without one.
Example: An original oil painting is sold at auction, with a reserve bid of $5,000. In order to potentially purchase the painting, a bidder needs to bid at least $5,001, and the highest bidder purchases the painting at the final bid value. If there were no reserve bid, and someone bid $1, and no one else bid, the painting would be sold for $1.
The buyer has no obligation to offer a fair price. If a kid has a comic book worth $100, and he takes it to a store, and an employee says "I'll give you $15 for it", and the kid agrees, the sale is legal. It's a bad decision by the kid to sell the comic book for less than market value, but the store employee has no obligation to offer market value in an offer to purchase.
My point is that the author creates the terms for commercial use, and donationware
is a passive approach. Pablo Impallari
made a fair amount of money from commercial licensing of Lobster
, but 90% of his income came from ten percent of the purchasers. At least 80% of the purchasers paid $15 USD or less. A small few paid more than $500 USD. No one is going to donate $500 for one of hanoded
's fonts, unless the quality improves, and the character maps are extended. If someone makes a font in a few hours, they shouldn't expect to make huge sums of money in licensing fees. People aren't going to pay much, if a similar font, professionally rendered, cost the same amount. If pastrami and bologna cost the same amount, no one would eat bologna.
Nobody should be making amateur and semi professional fonts with the goal of significant monetary gain. There are too many other fonts, with similar flaws. If you spend 500 hours making an excellent font, you're likely to earn significantly more in licensing than if you spent 500 hours making 100 fonts, spending five hours on each one. The one great one will be used commercially, and at a higher fee, more often than the 100 mediocre ones combined.
is the problem. It allows the user to set their own price, but not be legally bound to offer market value. If a minimum fee is applied, it ceases to be Donationware, it becomes shareware. A font needs to be professionally rendered before anyone is likely to donate anything significantly above the minimum amount requested. If you ask for too much, the purchaser will likely chose a different font, that's free, costs less, or has been more skillfully rendered..
Edited on Feb 04, 2015 at 04:56 by metaphasebrothel
, keep in mind that you have created a font that can be freely downloaded on the Internet. While you may have uploaded it exclusively to DaFont
, and perhaps expressed an intent that the font not be redistributed by other sites, legally, that's only a request, but not a legal right, on your part. You don't want someone to do something, and you ask them not to, but they have no legal obligation to obey you.
Here's a good example: A sign on the side of a building states: "No smoking within five meters of this wall". Within five meters of the wall, there is a public sidewalk.
The directive on the sign is relevant to anyone who lives or works within the building, as they are obliged to obey instructions of their landlord or their employer, as a term of their tenancy or their employment contract. The directive is not binding, however, to a civilian walking on the sidewalk, (It is assumed that the hypothetical example does not take place in Singapore
, Saudi Arabia
, or another country where littering and/or public tobacco consumption are serious infractions).
If a punk rocker was smoking, while walking on the sidewalk in front of the building, but not loitering in one place, then if an official representative of the building told him he couldn't smoke there, the punk rocker could say, "Fuck off, asshole.", and continue on his way. Just because the building doesn't want people to smoke less than 5 meters from the wall, doesn't mean that other people need to comply, because the building doesn't own the sidewalk in front of it.
A prohibition of that sort can be enforced only on private property. It is possible for someone to be arrested merely for occupying public property, but only if they remain within one place, as if a beggar set up camp in front of the building, or if street prostitutes plied their trade in front of the building. If the building owned all the land within five meters of the wall, the directive would be legally enforceable on the average citizen.
In your case, when creating the font file, you have an obligation to include the terms of commercial use within the .ttf or .otf copyright and licensing fields. Including that information in a read me document, or a Note of the Author on DaFont
, isn't enough. The commercial use fee relates to using the .ttf or .otf file. If someone uses the font commercially, without meeting the terms of commercial use, based on law, a Judge should rule in your favour, if the commercial use terms were included in the .ttf file, but the same Judge would rule against you, if they were not.
You could not sue fonts2U, because they have not used your font commercially. They've offered it as a free download. You could sue someone who used the font for commercial purposes, without abiding by the terms of the licensing. Where that person got the free font is irrelevant. Just because you write a note at DaFont
You shouldn't worry about it. Hardly anybody goes to fonts2u for fonts, except by accident. There's nothing you can do about it. Welcome to the real world, where not everyone
is your friend, nor are they bound by your whims.
Edited on Feb 04, 2015 at 09:29 by drf
I personally feel that donationware is a bad commercial licensing option. It works, if the author makes fonts very quickly, and hopes to earn some income from the charity of the commercial use client. It presupposes that the customer will fairly compensate the author.
I'm going to use the example of the Lobster font, by Pablo Impallari. I know Pablo personally, and he's told me that some donations he receives are for $1, and some are for $1,000. Some of the people who contributed $1 could have contributed much more, but they didn't have to.
hanoded, in my opinion, you make too many fonts, and you don't spend enough time on each one. At best, they are 'semi-professional', and not worth paying more than a few dollars to use. You're not going to get anywhere, hiring a lawyer to litigate against someone in another country, in the hope of receiving a $10 settlement.
If you charge a fixed amount, then a customer will have to compare your fonts to other fonts in the same price range.
NEVER think of a Dafont download as being a 'potential sale'. A lot of people just like to collect free fonts. Many people have probably downloaded some of your fonts multiple times, because they couldn't remember if they already had downloaded yours, or not.
Probably 85% of your downloads are from 10% of your submissions. The average number of downloads for each of your fonts is about 62,000. I have eight freeware dingbats with much higher numbers.
You need to stop thinking about churning out a high volume of average to poor designs, with limited character maps. If you have a good design, spend extra time, trying to make it perfect, and worthy of purchase. When you have a bad design, don't even make it at all.
DK Lemon Yellow Sun is popular right now, but there are 1,000 fonts almost exactly the same, and with equally poor rendering. If a lot of people download, it just means they think your font is more valuable than the empty disk space it occupies, and the cost of the bandwidth to acquire it. It would be a good font, if you were twelve years old. You can, and have, made better fonts.
If you were playing Monopoly, what would you rather have?
a) One of each group, so you'd receive a token rent amount, when someone lands on a property you own, or
b) Hotels on Boardwalk and Park Place, and no other properties?
Typography, as a money making enterprise, is exactly like that, but each font is a property. You've got a couple of hundred cheap, undeveloped properties. All of them combined generate less income than you'd get from one player landing on Boardwalk and Park Place.
If you make fewer, but better, fonts, you'll do better than you will by relying on charity donations for work released too quickly.
Can I use "100% free" font to make any company's logo?
toto@k22 toto@k22 said
...In my interpretation, Free and 100% Free are not the same...
did specify 100% Free, and put it in quotes. My answer is 100% true, with reference to his specific request.
had just used the more vague term 'Free', your supplemental information would be relevant to this question, and to other questions similar to this one.
It is true that all fonts marked as 100% Free
, now longer displays, when the font is opened in preview. If someone has a Vista, 7, or 8 operating system, and there is no read me document included in the .zip, someone might legitimately claim ignorance of the terms of commercial use, and place the liability on Microsoft, for removing the header information, when the font is viewed in preview.
Suppose that a font author uploaded to DaFont
, with a read me/license document, and with commercial usage terms specified in the header. A representative of s fly-by-night font download site downloads from DaFont
, and offers only the .ttf file, as a download on the fly by night site. Someone downloads from the fly-by-night, and, in the absense of visible evidence to the contrary, assumes that the font is free for all use, because no visible documentation states otherwise. It's very possible that a Judge might rulle in favour of the font author, with Microsoft as the respondent, because Microsoft decided to not display the header information in the preview, which had been plainly visible in Windows XP, and earlier, but not in later Windows operating systems. The burden of proof might fall on Microsoft, to justify the removal of this information, from the display in preview.
At one time, fonts in my Obey[b] dingbat series were listed as [b]free for personal use
, but I never intended to receive any income, neither from licensing, nor donation. The read me documents stated that commercial use should be approved by Sheppard Fairey
, because the series was based on his artwork. I later became more familiar with fair use
International copyright law, and determined that, as long as I was not charging any fee for the commercial use, I could designate the fonts as 100% free. Since Fairey uses the same fair use
provision in appropriating images for his street art posters, he would, effectively, convict himself of copyright violation, were he to restrict my right to fairly use
his work, in another graphics medium.
I love ScanFont 3 from FontLab. It has nothing in common with FontLab's ScanFont 5.
ScanFont 3 is a stand alone Windows font editor from the mid 1990's that can create and open True Type and Post Script Type 1 fonts, but can't create or open Open Type, (.otf), files. ScanFont 5 is a plug-in for the FontLab Studio font editor.
Unfortunately, ScanFont 3 is no longer sold, and it doesn't work with any Windows operating system after XP, and some Windows automatic update in February, 2014 caused it to stop working for me with Windows XP, but I bought a second computer with XP, and only installed the updates to the end of January, 2014, and I keep that computer disconnected from the Internet, so the ScanFont 3 works fine on the 'dark' computer.
Geronimo, you're going to find that your font editor choices are limited, depending on which Operating System you use. I like XP and old school apps, but some newer apps won't work on my computer. More recent operating systems might restrict your ability to use older apps. Windows Vista is usually the first O/S for which older apps may not continue to function properly. The Ones that work with XP, generally worked previously with Windows '95, Windows '98, Windows Millennium Edition, and Windows 2000. Other apps tend to work with Vista, and Windows 7, 8, etc, so if you are offered a cheap older app, be warned that it might not be compatible with your Windows 8.
I disagree, toto@k22. A font with a 100% Free status was designated as such, by the author. If the license terms are clear, there's no need to ask if free means free. Many authors make their fonts 100% free, to avoid inquiries like this. Either it's free, or it's not. If It's free, except when someone wants it for commercial use, then it's free for personal use. Sometimes someone here will upload a 100% free font, and then change the terms, if the font is popular.
That could make for an interesting court debate: Author uploads the font on January 1, as 100% Free, and makes the font Free for personal use on February 1. Someone who downloaded the font between January 1-31 could argue that it is 100% free for them, but free for personal use, for anyone who downloaded February 1 or later. The file creation date from the download might be the crucial evidence. I don't think, in contracts, a fee for performance can be determined after the fact.
Example: A man meets a woman at a night club. She agrees to go home with him. In the morning, she says "By the way, I'm a prostitute. You owe me $1,000 for the overnight date". She wouldn't win the case, even with inept defense counsel. A judge would rule on the point of law. Something like that would never get to the trial stage.
Props, daaams. I hope that was a full ban, not just ten days.
Font on Kevin Schwantz 1994 suzuki motogp bike
Could anyone help me identify the font on KevinSchwantz's 1994 motogp Suzuki number plate? It's number 34 and you can find it easily on google images.
Alguém poderia me ajudar a identificar a fonte do número 34 na moto de corrida do Kevin Schwantz? Ele ganhou o campeonato de motogp em 1994 com esta moto e aquela fonte é espetacular e gostaria de usar na minha moto.
Smarten the fuck up.
"...you can find it easily on google images..."
can easily find that image on google images, and post it for us.
If you want help, help yourself first, by doing your own fucking work, instead of telling us we can do it for you.
"If I'm asking for help, it's because I haven't been able to find it."
How can you say it can be found easily on google images, and in the next post, you say you haven't been able to find it? One of those statements isn't true, unless you are mentally retarded, meaning that we could find the image easily, but you couldn't find it, no matter how hard you try. If you are retarded, you should say so, and we'll help you find it. If you are not retarded, you certainly do give other people the impression that you might be. You should work on that. It will make it difficult for you to get a girlfriend. Don't think for a second that I give a rat's ass about hurting your feelings. If you want to be treated with respect, show it first. If you want to be treated like a piece of shit, just keep making the same kind of posts you've made so far in this thread. I enjoy treating people like pieces of shit, when they deserve it. Other people like to read what I say, when I do that, everybody exept the person I'm treating like a piece of shit, that is. Don't give me reason to do that to you again. I don't feed trolls. I squish them with the heel of my shoe. Remember that.
"People like you should be banned from social networks."
The Dafont forum is NOT Social media. We aren't here to serve you, like a waitress or a busboy in a restaurant. We help people who deserve to be helped. You don't appear to be one of them.
Don't piss me off again. Man the fuck up.
Don't apologize. Hang your head in shame. You've earned that, for being a Troll.
Edited 3 times. Last edit on Jan 22, 2015 at 13:02 by Rodolphe
You don't learn very fast, do you? Or can you learn at all? Post an image of that font, and only the font not the rubbish around it in the ID forum. Make sure that you do not enlarge the image you are going to post and make syre that the image is sharp focused. Screendumps from your phone are no good.
I sent him a private message, koeiekat
. I think he'll get it.
Check the Music Fonts page on LucDevroye.org
There are hundreds of links to music note fonts. At least some of the links wil still be active.
You can also make music note symbols with many standard issue Windows fonts, using the Alt key, and '13' and '14' from the number pad on yor keyboard, but only if you're using a computer, instead of a telephone.
Dude, if they can't identify the Font in Font Identification, they're not going to identify it in General Discussion.
If you just want a font with Korean glyphs, read post #2. If you want the font used in that screen cap, there's about a 0.0000000001% chance that anybody could identify it, and no one's going to do that, in General Discussion.
You need to start thinking before you act. This image with the font should have been in the first post.
" its hard to identify by identification forum because not all user(even nobody) know the name"
Why even post information like that? How does that help us to help you? In which thread in Identification Forum did you ask about this?
It's hard to tell if you're being a Troll, or if you just think like a teenaged girl.
The one that you like best, is the one you should use, unless you're writing a screenplay. All screenplays, at least in North America, are always submitted in Courier.
Unless you work for one of us, you should pick your own font, instead of asking some stranger to pick one for you. Humans are born with free will. Use it, or lose it.
not this, but the font name. its hard to find korean font names(especially on handwriting/cute, most of them are modified the name and glyph) in internet(why i make this question because i interested the font name that used on boonyi subtitle(its on youtube))
You'll need to capture an image of the text, and post this inquiry in Font Identification. That's important, because identification statistics matter to a lot of people, and statistics are only tabulated for identifications made in the Font Identification forum.
It looks like this thread is done, unless the French guys want to post some emoticons.
It is not not properly placed Bobby. It is missing, so that the app is falling back to the app's default font. Why do you think I asked what I asked?
We're both correct. If I included the Ccedilla glyph in the font, but in the location where the Pilcrow is supposed to be, typing the Ccedilla on the keyboard would result in a change to the default font for the word processing app. The Ccedilla would not be missing, but it would be improperly placed.
I've had this problem in a previous font, involving the single and double quotes, one of my very early fonts, the Alice in Wonderland
Note: It gives the 'blue screen of death" to anyone who opens it in preview, and uses Windows Vista, Windows 7, or Windows 8, and has ClearType enabled, OR if it's ever used in text, with formatting! Never try to make Alice in Wonderland bold, italic, underlined, bold italic, etc. That will even freeze Notepad.
It's a pretty bad font, in terms of technical execution, but ambitious for my first attempt with large and complex source graphics. It's decent looking at 36 points. I think that one is on Abstract Fonts
and a few other sites, besides my home page. I tried to add glyphs to the cells for single and double quote in my font editor, but I couldn't get them to appear in MS Word.
I didn't now that there is one pair of glyph cells for the square quotes used in text document display, another pair of glyph cells for the right single and double quotes, placed on the base line, another pair of cells for the properly oriented right single and double quotes, and another pair for the left single and double quotes. I didn't understand why the dingbat images appeared for single and double quote when typed in notepad, but not in MS Word. It was because I had inserted the glyphs in the cells for text document quotes.
I was getting the same problem with the quotes in my new font, until the 4 pairs of glyph cell positions was explained to me. I thought it had something to do with the 'replace straight quotes with 'smart quotes' setting in MS Word, but I was way off.
My new font has very different left and right single and double quotes:
and I didn't know about the eight glyph positions until fairly recently. There are probably a few people here, who didn't know that, either.
That must be Fred, wearing the funny hat. I recognize Rodolphe. It looks like he's gained a few pounds, but he's carrying them well.
LynetteBonner, you can't go wrong, listening to claudeserieux and toto@k22. Most of what I know about making fonts was either learned from them, or learned on my own, through trial and error.
If you're just starting out, and haven't developed bad habits yet, I'd suggest you try spending a lesser amount of the design time in creating the source graphic you want to import, and more time editing the vector version of that image, in the font editor. With typography, the final state of your vector images is all that matters. You can import a ready made vector, you can import a finished image to convert it to vector, you can draw the glyph entirely within the font editor, or you can 'sculpt' the glyph from a rough shape.
You might want to do a glyph or two by each method in your next font, and see which procedure best suits your creativity.
I used to spend all of my design time making detailed monochrome clip art, to import into a font editor, to attempt to retain as much as possible or the details, when converted to vector format.
Later I've just drawn a rough shape in my font editor, eliminated the unneeded nodes defining the contour outline, and manipulated the remaining nodes like modelling clay. I get my best results that way, where each glyph has as few nodes as possible, but great care is taken, in where the're placed. I'll send you a private message, with some image links related to what I've described above, concerning sculpted glyphs.
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